[vc_row row_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/3″][vc_single_image media=”6418″ media_width_percent=”100″ uncode_shortcode_id=”758867″][\/vc_column][vc_column column_width_percent=”100″ position_vertical=”middle” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”2\/3″][vc_column_text]<\/p>\n
A terceira edi\u00e7\u00e3o da coletiva “Gambi\u00f3logos” chega com o t\u00edtulo de “Maquina\u00e7\u00f5es”. A exposi\u00e7\u00e3o prop\u00f5e uma reflex\u00e3o sobre a cria\u00e7\u00e3o e uso de m\u00e1quinas por artistas. Os participantes s\u00e3o criadores de engenhocas n\u00e3o-necessariamente funcionais e atuam na intersec\u00e7\u00e3o entre arte, ci\u00eancia, tecnologia e vida.<\/p>\n
Curadoria:<\/strong> Locais: Data:<\/strong> 2018\/2019[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-421955″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”75″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_transform=”uppercase” separator=”yes”]Artistas participantes[\/vc_custom_heading][vc_column_text text_lead=”yes”]Abraham Palatnik \u2022 Azucena Losana \u2022 Colectivo Armatoste \u2022 Daniel Herthel \u2022 Ganso At\u00e9 meados dos anos 1980, a cria\u00e7\u00e3o em arte eletr\u00f4nica era baseada em trabalhos que operavam sobre plataformas anal\u00f3gicas \u2013 desde os televisores, antenas e suas transmiss\u00f5es at\u00e9 as m\u00eddias anal\u00f3gicas de grava\u00e7\u00e3o, como as fitas cassete ou Betamax.<\/p>\n A partir da d\u00e9cada de 1990, essa produ\u00e7\u00e3o passa a operar majoritariamente sobre o ambiente digital. A digitaliza\u00e7\u00e3o do audiovisual, junto \u00e0 universaliza\u00e7\u00e3o dos computadores e do acesso \u00e0 internet, fazem migrar essa produ\u00e7\u00e3o quase integralmente para o mundo bin\u00e1rio e, mais recentemente, para o ambiente da computa\u00e7\u00e3o m\u00f3vel.<\/p>\n No entanto, em pleno 2018, ap\u00f3s o boom<\/i> da internet e em meio ao caos das redes sociais, h\u00e1 artistas que, mesmo incorporando a tecnologia em seus trabalhos, t\u00eam demonstrado um interesse cada vez maior no uso de solu\u00e7\u00f5es anal\u00f3gicas, mec\u00e2nicas, improvisadas e de baixo custo. S\u00e3o criadores que desenvolvem obras tecnol\u00f3gicas em ambiente offline, n\u00e3o algor\u00edtmico, \u201cdesvirtual\u201d. N\u00e3o abrem m\u00e3o de atuar sobre os aparatos t\u00e9cnicos (e jogar com os mesmos), mas prop\u00f5em novas possibilidades sobre o seu uso, muitas vezes subvertendo a pr\u00f3pria fun\u00e7\u00e3o dos componentes originais. De certa maneira, eles apostam na intera\u00e7\u00e3o, e n\u00e3o na interatividade, e, com isso, sugerem uma lida mais humana com a tecnologia.<\/p>\n Esses \u201cinventistas\u201d atuam na interse\u00e7\u00e3o entre arte, ci\u00eancia, tecnologia e vida. Transformam seus ateli\u00eas em oficinas, suas oficinas em laborat\u00f3rios, seus laborat\u00f3rios em extens\u00e3o do seu viver. A partir da (des)constru\u00e7\u00e3o de engenhocas, sistemas inexatos, traquitanas com ou sem utilidade, eles estimulam a simbiose humana com a t\u00e9cnica e apresentam uma arte sem manual de instru\u00e7\u00f5es. Prop\u00f5em maquina\u00e7\u00f5es peculiares sobre o meio art\u00edstico e o universo tecnol\u00f3gico. Relacionam a sua pr\u00e1tica criativa com o l\u00fadico, com a educa\u00e7\u00e3o, com o social, com a inven\u00e7\u00e3o, com as m\u00e3os na massa e os p\u00e9s no ch\u00e3o. Atuam sobre as m\u00e1quinas para transformar as m\u00e1quinas em a\u00e7\u00f5es.<\/span><\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_transform=”uppercase” separator=”yes”]ITINER\u00c2NCIAS[\/vc_custom_heading][vc_tabs][vc_tab title=”3.0 – Rio” tab_id=”1585271395109-0-6″ slug=”maq-rio”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”50″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”5″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text text_lead=”yes”]<\/p>\n Oi Futuro Flamengo [\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_icon icon=”fa fa-camera”][\/vc_icon][vc_custom_heading heading_semantic=”h3″ text_size=”h3″ separator=”yes” subheading=”por AF Rodrigues”]GALERIA DE FOTOS[\/vc_custom_heading][vc_gallery el_id=”gallery-maq-rio” type=”justified” medias=”5872,5873,5905,5889,5875,5883,5884,5917,5882,5881,5877,5878,5887,5874,5885,5879,5880,5886″ justify_row_height=”180″ gutter_size=”2″ media_items=”media|lightbox|original,title” single_style=”dark” single_overlay_color=”color-421955″ single_overlay_opacity=”80″ single_h_align=”center” single_padding=”2″ single_title_transform=”uppercase” lbox_caption=”yes”][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_icon icon=”fa fa-video-camera”][\/vc_icon][vc_custom_heading text_transform=”uppercase” separator=”yes” subheading=”por Alexandre Baxter (Alicate)”]GALERIA DE V\u00cdDEOS[\/vc_custom_heading][vc_gallery el_id=”gallery-101534″ type=”justified” medias=”5897,5898,5899,5900,5901,5902,5903,5919″ justify_row_height=”250″ gutter_size=”2″ single_overlay_opacity=”50″ single_padding=”2″][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_row_inner row_inner_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_transform=”uppercase” separator=”yes”]FICHA T\u00c9CNICA[\/vc_custom_heading][vc_column_text]Idealiza\u00e7\u00e3o e curadoria: Fred Paulino<\/strong> Concep\u00e7\u00e3o: Paulo Waisberg<\/strong><\/span> Obra e performance: Juliana Porf\u00edrio e Neville D’Almeida<\/strong>
\nFred Paulino<\/p>\n
\n<\/strong>Centro Cultural Oi Futuro – Rio de Janeiro
\nSesc Palladium – Belo Horizonte
\nSesc Carmo – S\u00e3o Paulo
\nSesc Piracicaba<\/p>\n
\nGuto Lacaz \u2022 Juliana Porf\u00edrio & Neville D’Almeida \u2022 Lina Lopes & Giovanna Casimiro
\nKallpp \u2022 Motta & Lima \u2022 Maurizio Zelada \u2022 Milton Marques \u2022 Paulo Nenfl\u00eddio
\nPeter Fischli & David Weiss \u2022 Sara Lana \u2022 Xande Perocco \u2022 Zaven Par\u00e9[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ back_color=”color-wvjs” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ back_color=”color-xsdn” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_column_text]<\/p>\nARTISTAS, M\u00c1QUINAS E A INVEN\u00c7\u00c3O DO COTIDIANO<\/b><\/h4>\n
FRED PAULINO, curador, 2018<\/em><\/h5>\n
\n05\/06 a 05\/08\/2018<\/span><\/p>\n
\n<\/span>Produ\u00e7\u00e3o executiva: Sara Moreno<\/strong>
\n<\/span>Produ\u00e7\u00e3o: Fabiana Gomes<\/strong>
\n<\/span>Produ\u00e7\u00e3o local: Victor Domingues Ven\u00e2ncio<\/strong>
\n<\/span>Projeto expogr\u00e1fico: Paulo Waisberg e Clarissa Neves<\/strong>
\n<\/span>Cenot\u00e9cnico e montagem: Marcos Lustosa, Richard Carvalho, Fernando Lib\u00e2nio<\/strong>
\n<\/span>Projeto gr\u00e1fico: Xande Perocco<\/strong>
\n<\/span>Web design: Juli\u00e3o Villas<\/strong>
\n<\/span>Fotografia: Adriano Rodrigues<\/strong>
\n<\/span>Produ\u00e7\u00e3o audiovisual: Alexandre Baxter<\/strong>
\n<\/span>Texto para cat\u00e1logo: Andr\u00e9 Mintz<\/strong>
\n<\/span>Assessoria de imprensa e m\u00eddias sociais: Luciana Bento (Pauta Positiva)<\/strong>
\n<\/span>Assessoria financeira: S\u00edlvia Batista e \u00c2ngelo Batista (Proart Minas)<\/strong>
\n<\/span>Assessoria jur\u00eddica: Laura Gomes Castanheira<\/strong>
\n<\/span>Assistentes de montagem de obras: Arthur Bittar, Laura Potter Pessoa, Nickolas Borba, Thiago Hersan<\/strong>
\n<\/span>Estrutura \u201cBalan\u00e7os InterAfetivos\u201d: Marimba<\/strong>
\n<\/span>Oficinas: Azucena Losana | Lina Lopes & Giovanna Casimiro<\/strong>
\n<\/span>Monitores: Ana Julia Ferreira e Pedro Lira<\/strong>
\n<\/span><\/p>\nInstala\u00e7\u00e3o audiovisual para obra de \u201cThe Way Things Go\u201d (Fischli & Weiss):<\/b><\/h5>\n
\n<\/span>Execu\u00e7\u00e3o: Leandro Arag\u00e3o<\/strong><\/span><\/p>\nPerformance \u201cCorpo Ut\u00f3pico\u201d:<\/b><\/h5>\n
\nBailarina: Patr\u00edcia Nierdermeier<\/strong>
\nProje\u00e7\u00e3o a laser: Lucas de Jesus<\/strong>
\nCoordena\u00e7\u00e3o eletr\u00f4nica: Eduardo Pessoa<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_row_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_single_image media=”5927″ media_width_percent=”100″ alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”3.1 – Belo Horizonte” tab_id=”1585271397751-0-5″ slug=”maq-bh”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”50″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”5″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text text_lead=”yes”]Galeria GTO – Sesc Palladium
\n10\/10 a 23\/12\/2018<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_icon icon=”fa fa-camera”][\/vc_icon][vc_custom_heading heading_semantic=”h3″ text_size=”h3″ separator=”yes” subheading=”por Henrique Chendes \/ Tarcisio de Paula”]GALERIA DE FOTOS[\/vc_custom_heading][vc_gallery el_id=”gallery-maq-bh” type=”justified” medias=”5948,5964,5967,5963,5960,5951,5946,5947,5950,5949,5953,5961,5952,5954,5957,5959,5958,5955,5956,5962″ justify_row_height=”180″ gutter_size=”2″ media_items=”media|lightbox|original,title” single_style=”dark” single_overlay_color=”color-421955″ single_overlay_opacity=”80″ single_h_align=”center” single_padding=”2″ single_title_transform=”uppercase” lbox_caption=”yes”][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_row_inner row_inner_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_transform=”uppercase” separator=”yes”]FICHA T\u00c9CNICA[\/vc_custom_heading][vc_column_text]Idealiza\u00e7\u00e3o e curadoria: Fred Paulino<\/strong>
\nProdu\u00e7\u00e3o executiva: Sara Moreno, Gabriela Carvalho<\/strong>
\nProdu\u00e7\u00e3o: Casa Camelo<\/strong>
\nAssistente de produ\u00e7\u00e3o: Elo\u00e1 Mata<\/strong>
\nProjeto expogr\u00e1fico: Paulo Waisberg, Clarissa Neves<\/strong>
\nMontagem cenot\u00e9cnica e ilumina\u00e7\u00e3o: Marcos Lustosa<\/strong>
\nCenot\u00e9cnico: Fernando Lib\u00e2nio, Richard Carvalho<\/strong>
\nProjeto gr\u00e1fico: Xande Perocco<\/strong>
\nTexto para cat\u00e1logo: Nina Gazire<\/strong><\/span>
\nRevis\u00e3o de textos: Cl\u00e1udia Rezende (Bontexto)<\/strong>
\nAssessoria de imprensa e m\u00eddias sociais: Val Prochnow, Clara Guimar\u00e3es<\/strong>
\nAssessoria jur\u00eddica: Laura Gomes Castanheira<\/strong>
\nAssistentes de montagem de obras: Birimbica Potter, Laura Pessoa e Gilberto Macruz (Credo); Mariana Zani e Kid Azucrina (Projeto Parede);\u00a0Thiago Hersan (M\u00e1quina de Ant\u00f4nimos); Trotta (Homenagem aos Reparadores dos Moedores de Chocolate)
\n<\/strong>Monitores: Priscila Portugal, Bruno Gomes<\/strong>
\nTransporte e armazenamento de obras: Vanguardian<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_empty_space empty_h=”2″][vc_single_image media=”5937″ media_width_percent=”50″ alignment=”center”][\/vc_tab][vc_tab title=”3.2 – S\u00e3o Paulo” tab_id=”1585271400140-0-6″ slug=”maq-sp”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”50″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”5″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text text_lead=”yes”]Sesc Carmo
\n23\/11\/2018 a 15\/02\/2019<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_icon icon=”fa fa-camera”][\/vc_icon][vc_custom_heading heading_semantic=”h3″ text_size=”h3″ separator=”yes” subheading=”por Nidin Sanches”]GALERIA DE FOTOS[\/vc_custom_heading][vc_gallery el_id=”gallery-maq-bh” type=”justified” medias=”5991,5975,5976,5993,5981,5982,5978,5974,5979,5980,5983,5990,5984,5977,5985,5987,5988″ justify_row_height=”180″ gutter_size=”2″ media_items=”media|lightbox|original,title” single_style=”dark” single_overlay_color=”color-421955″ single_overlay_opacity=”80″ single_h_align=”center” single_padding=”2″ single_title_transform=”uppercase” lbox_caption=”yes”][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_row_inner row_inner_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_transform=”uppercase” separator=”yes”]FICHA T\u00c9CNICA[\/vc_custom_heading][vc_column_text]Idealiza\u00e7\u00e3o e curadoria: Fred Paulino<\/strong>
\n<\/span>Produ\u00e7\u00e3o executiva:<\/span> Gabriela Carvalho<\/strong>
\nProdu\u00e7\u00e3o:<\/span> Elo\u00e1 Mata<\/strong>
\nProdu\u00e7\u00e3o local:<\/span> Marina Jovanelo<\/strong>
\nAssistente de produ\u00e7\u00e3o:<\/span> Esther Azevedo<\/strong>
\nProjeto expogr\u00e1fico:<\/span> Paulo Waisberg e Clarissa Neves<\/strong>
\nMontagem cenogr\u00e1fica:<\/span> Marcos Lustosa<\/strong>
\nCenot\u00e9cnicos: <\/span>Fernando Lib\u00e2nio e Richard Carvalho<\/strong>
\nIlumina\u00e7\u00e3o: <\/span>MMV Montagem e V\u00eddeo<\/strong>
\nProjeto gr\u00e1fico: <\/span>Xande Perocco<\/strong>
\nTexto para cat\u00e1logo: Fernando Velazquez<\/strong><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_empty_space empty_h=”2″][vc_single_image media=”5937″ media_width_percent=”50″ alignment=”center”][\/vc_tab][vc_tab title=”3.3 – Piracicaba” tab_id=”1585271402742-0-8″ slug=”maq-pira”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”50″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][\/vc_column_inner][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”5″ back_color=”color-lxmt” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/3″][vc_column_text text_lead=”yes”]Sesc Piracicaba
\n07\/09 a 08\/12\/2019<\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_icon icon=”fa fa-camera”][\/vc_icon][vc_custom_heading heading_semantic=”h3″ text_size=”h3″ separator=”yes” subheading=”por Cristiano Ferrari”]GALERIA DE FOTOS[\/vc_custom_heading][vc_gallery el_id=”gallery-maq-pira” type=”justified” medias=”6429,6458,6433,6436,6430,6431,6454,6432,6434,6449,6442,6457,6437,6446,6451,6441,6440,6443,6445,6444,6439,6447,6438,6435,6448,6452,6453,6455,6450,6456″ justify_row_height=”180″ gutter_size=”2″ media_items=”media|lightbox|original,title” single_style=”dark” single_overlay_color=”color-421955″ single_overlay_opacity=”80″ single_h_align=”center” single_padding=”2″ single_title_transform=”uppercase” lbox_caption=”yes”][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_row_inner row_inner_height_percent=”0″ back_color=”color-lxmt” overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ gutter_size=”3″ override_padding=”yes” column_padding=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading text_transform=”uppercase” separator=”yes”]FICHA T\u00c9CNICA[\/vc_custom_heading][vc_column_text]Idealiza\u00e7\u00e3o e curadoria Fred Paulino
\n<\/span><\/b>Produ\u00e7\u00e3o executiva Luiz Lemos (Casa Camelo)
\n<\/b>Produ\u00e7\u00e3o Elo\u00e1 Mata
\n<\/b>Produ\u00e7\u00e3o local Adriana Concei\u00e7\u00e3o Rasera
\n<\/b>Projeto expogr\u00e1fico MACh Arquitetos
\n<\/b>Montagem cenogr\u00e1fica e ilumina\u00e7\u00e3o Marcos Lustosa
\n<\/b>Cenot\u00e9cnicos Richard Carvalho e Ant\u00f4nio Fernando Concei\u00e7\u00e3o<\/b>
\n<\/b>Projeto gr\u00e1fico Xande Perocco e Fred Paulino<\/b>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”color-uydo”][vc_empty_space empty_h=”2″][vc_single_image media=”5937″ media_width_percent=”50″ alignment=”center”][\/vc_tab][\/vc_tabs][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_icon icon=”fa fa-book”][\/vc_icon][vc_custom_heading text_transform=”uppercase” separator=”yes” subheading=”Cole\u00e7\u00e3o Arte e Tecnologia Oi Futuro”]CAT\u00c1LOGO[\/vc_custom_heading][vc_column_text]<\/p>\n